89 music sheets
Francisco Fleta Polo was born in 1931 in Barcelona. He attended the Barcelona Conservatory for Advanced Studies in Music where he obtained an advanced certificate in the Violin, Viola and Trumpet qualifications and trained as a Composer and Conductor.
He played the viola in the Symphonic orchestras of the Gran Teatre del Liceu, Barcelona’s opera house (1961-64), RTVE, the Spanish state broadcasting company, (Madrid 1965-69) and the City of Barcelona (since 1970). He was selected for the post of Viola Professor at the Barcelona Conservatory for advanced studies in music in a national eliminatory exam.
Hi has a very wide catalogue of works for several instruments and instrumental ensembles which have played by several generations of students in the course of their music studies. These works were written with his students in mind. He has also composed works for orchestra including four symphonies; the second and the third were first played in public by the Barcelona Symphonic orchestra and the fourth by the Barcelona Municipal Band. His Sonata for the Viola op.69 was chosen to be played at the International Viola Congress in Illinois (USA). For his students he has designed a highly successful practical course for the Viola and Violin. Most of his works are edited by this company (Clivis Publicacions).
His music is rich in counterpoint and timbre effects which give it a very unique air of genius.
Author: Fleta Polo, Francisco
The composer he does not limit himself to using the trumpet as a fanfare instrument; rather he makes use of all its resources. The piece, though not exceptionally difficult to play, is demanding at the chamber level. The piano part is optional: it reinforces the rhythmical element of the piece and can help to set tuning when the piece is played by...
Author: Fleta Polo, Francisco
The composer he does not limit himself to using the trumpet as a fanfare instrument; rather he makes use of all its resources. The piece, though not exceptionally difficult to play, is demanding at the chamber level. The piano part is optional: it reinforces the rhythmical element of the piece and can help to set tuning when the piece is played by...
Author: Fleta Polo, Francisco
In the opening section of Caprici núm. 2 by F. Fleta Polo the instruments are presented one by one through the use of solo parts, before merging to form the chamber piece proper, and the contrapuntal writing can be seen throughout in a piece whose appeal lies in its contrasts in colour and character.
Author: Fleta Polo, Francisco
Caprici per a corn anglès i piano by Francisco Fleta Polo is a piece which does not seek out the virtuosity of the solo instrument but which emerges as a lyrical chant, a piece in which the English horn can show off its more cantabile side.
Author: Fleta Polo, Francisco
Caprici per a corn anglès i piano by Francisco Fleta Polo is a piece which does not seek out the virtuosity of the solo instrument but which emerges as a lyrical chant, a piece in which the English horn can show off its more cantabile side.
Author: Fleta Polo, Francisco
Short but intense and expressive works which move trough different feelings, tempos and rhythms.
Author: Fleta Polo, Francisco
Nature is very present in these duets: you can feel the serenity and the nobility of the cello.
Author: Fleta Polo, Francisco
Nature is very present in these duets: you can feel the serenity and the nobility of the cello.