Author: Fleta Polo, Francisco
The initial cell of the descending arpeggio gives unity to the work that, despite its briefness, clearly shows the personality of Fleta Polo’s language and his deep knowledge of the different instruments he writes for.
Author: Fleta Polo, Francisco
The initial cell of the descending arpeggio gives unity to the work that, despite its briefness, clearly shows the personality of Fleta Polo’s language and his deep knowledge of the different instruments he writes for.
Author: Armenter, Xavier
The title Fantasia reflects the free use of the different formal resources used. We can therefore recognise the Variation, the Fugue and the structural elements of the Sonata form that are essential in structuring a work of certain complexity.
Author: Guzmán, Josep Lluís
This work is a small poem with a simple and cantabile language, in which all instruments have the same level of prominence.
Author: Bertran, Moisès
The Prelude and Dance follows a typical structure of Frederic Monpou, and the Finale closes the work.
Author: Benejam, Lluís
In his String Trio No. 1 (1956) Lluís Benejam plays with the sounds of two violins and a viola from a classical premise yet with a modern spirit.