Author: Fleta Polo, Francisco
Capricho concertante no. 3 is a two-movement piece for flute and guitar. In this work, the order of the factors does not change the product, since both instruments are given the same concertante treatment, without giving either instrument prevalence over the other.
Author: Soto, Pere
The work Colom-biz by composer Pere Soto Tejedor represents a real challenge for every guitarist of the camera ensemble, as each guitar can be a piece in solo format, given its high musical and technical complexity.
Author: Rodríguez Picó, Jesús
These two pieces for guitar to mark the centenary of Francisco Tàrrega were commissioned by the guitarist David Sanz. Conte breu (Short story) the virtuosic nature by use of fast notes and the oriental motifs that Tàrrega used in some of his works; and Estudi 1 (Study 1) there are some quite rhythmic, dancing passages, but it also has some lyrical and...
Author: Homs, Joaquim
In the Duo for flute and guitar all the melodic lines are derived from the fluctuation of intervals included within the range of minor and major thirds, melancholic in tone and which, in those moments of greatest expressive intensity, expand into wider lines and chords.
Author: Civilotti, Alejandro
These pieces are dedicated to the memory of the composer’s nephew, Sergio Javier Godoy who died in April 2005, and were written two months later. The meaning of these four pieces for guitar and clarinet is to establish a dialogue with those questions will never be answers.
Author: Bertran, Moisès
Esguards silents is a piece in three movements, Uncertainty, Bewilderment and Desolation. Each one of them wants to express a emotional state as it could be felt by a child from any country in front of the disasters of a war.
Author: Ferrer, Enric
These two pieces for guitar to mark the centenary of Francisco Tàrrega were commissioned by the guitarist David Sanz. Conte breu (Short story) the virtuosic nature by use of fast notes and the oriental motifs that Tàrrega used in some of his works; and Estudi 1 (Study 1) there are some quite rhythmic, dancing passages, but it also has some lyrical and...
Author: Armenter, Xavier
The title Fantasia reflects the free use of the different formal resources used. We can therefore recognise the Variation, the Fugue and the structural elements of the Sonata form that are essential in structuring a work of certain complexity.
Author: Rodríguez Picó, Jesús
The title of this work refers to dispersion and contrasts of the points of color and light of Claude Monet's paintings related to the Giverny garden, which were the starting point for establishing a similarity to the sounds of the flute and guitar.
Author: Ferrer, Enric
Llacada, or Silt, is a piece for flute and guitar by Enric Ferrer; Silt is also the residue left behind by floodwaters as they drain out of flooded fields. The author dedicates this work to David Sanz and Jordi Gendra.
Author: Eckart, Edmundo
Mahlers Traum opens with a theme which evokes the spirit of Robert Schumann’s Träumerei –‘reverie’–. However, towards the end of the piece, it adopts expressions and harmonies more typical of Gustav Mahler.