Subcategories
Author: Rövenstrunck, Bernat
These duets were written with the aim of familiarizing violinists with playing techniques, introducing them to playing chamber music. They can also be played by other instruments such as cello, viola or piano.
Author: Rövenstrunck, Bernat
These duets were written with the aim of familiarizing violinists with playing techniques, introducing them to playing chamber music. They can also be played by other instruments such as cello, viola or piano.
Author: Garcia Gago, Josep
Garcia Gago developes a simple melodic theme in Arioso, based on the Prelude No. 5 in D by Johann Sebastian Bach, while the work Clar de lluna (Moonlight) by Beethoven recives an impressionist brushwork of Josep Garcia Gago.
Author: Nuix, Jep
The work begins with a single idea, a unique effect that is exploited to the full.
Author: Baldrís, Carlota
This piece seeks to reflect on the thoughts and worries that come and go, when you travel by train, while linking up with others, with those of other passengers, even, who get on and off the train, bringing their own thoughts, ever more remote, with them, with their gaze lost in infinity. Finally, the train arrives at the station and the travellers...
Author: Civilotti, Alejandro
This is a short and highly musical piece which puts the technical skills of the performer to the test.
Author: Taverna-Bech, Francesc
Calidoscopi III by F. Taverna-Bech is not just a descriptive work but features numerous reflective elements and a certain melancholy, like a flow of nostalgia for other times when, as a child, he was captivated by the toy.
Author: Fleta Polo, Francisco
The initial cell of the descending arpeggio gives unity to the work that, despite its briefness, clearly shows the personality of Fleta Polo’s language and his deep knowledge of the different instruments he writes for.
Author: Fleta Polo, Francisco
The initial cell of the descending arpeggio gives unity to the work that, despite its briefness, clearly shows the personality of Fleta Polo’s language and his deep knowledge of the different instruments he writes for.
Author: Fleta Polo, Francisco
In the opening section of Caprici núm. 2 by F. Fleta Polo the instruments are presented one by one through the use of solo parts, before merging to form the chamber piece proper, and the contrapuntal writing can be seen throughout in a piece whose appeal lies in its contrasts in colour and character.
Author: Taverna-Bech, Francesc
Cicle per a viola sola by Francesc Taverna-Bech has a strongly lyrical character; it has four movements which counterpose each other, but there is a lot of similarity between the second and fourth movements.
Author: Fleta Polo, Francisco
Short but intense and expressive works which move trough different feelings, tempos and rhythms.