Subcategories
Author: Rodríguez Picó, Jesús
The Nocturne for violin is divided into two contrasting parts, the first is slow and the second has faster and livelier rhythm, with some large intervals.
Author: Salvat, Joaquim
Oriental - Petita cançó (Oriental - Short song) are two miniatures for violin and piano which radiate the Noucentista feel typical of Joaquim Salvat’s music.
Author: Rodríguez Picó, Jesús
This composition is based on the painting of the same title by Joan Miró. It is a short piece in a “naïve” style.
Author: Casablancas, Benet
This Piece for Viola is taken from the composer’s early period and its character, expansively and reflexively lyrical, becomes more attentive to the expressiveness of the viola and the wealth of this instrument’s polyphonic resources.
Author: Bertran, Moisès
There is a study of the possibilities offered by the double bass. The title simply reflects the most obvious feature of the piece; a continuous flow of semiquavers organised around two main thematic ideas. It is remarkable that a persistent idea in harmonic interval gives way to the true perpetuum.
Author: Fleta Polo, Francisco
This isn’t a light or easy piece but a complex score which, while easy to listen to, transmits that feeling of intellectual pleasure you get with pieces which have something to say.
Author: Fleta Polo, Francisco
This isn’t a light or easy piece but a complex score which, while easy to listen to, transmits that feeling of intellectual pleasure you get with pieces which have something to say.
Author: Bozzo, David
The work Quartet de corda núm. 1 “A la Muerte de un ángel” was commissioned in July 2010 by the Anglo-Spanish string quartet The Billroth String Quartet. Its members, at the request of the composer, reviewed the work with the addition of their own interpretative vision of the work written for them.
Author: Benejam, Lluís
The style of Quartet de corda número 1 (String Quartet No. 1) by Lluís Benejam is highly expressive and includes a rhythmic accent to enhance a free and lively melody.
Author: Homs, Joaquim
Towards the end of 1949, the composer focused on composing his third string quartet, for which he went back to two musical themes, quite different one from the other, that he sketched around 1931-1932.