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Author: Fleta Polo, Francisco
Caprici per a corn anglès i piano by Francisco Fleta Polo is a piece which does not seek out the virtuosity of the solo instrument but which emerges as a lyrical chant, a piece in which the English horn can show off its more cantabile side.
Author: Soto, Pere
A work with dynamic great wealth using all the instrument's resources.
Author: Fleta Polo, Francisco
Short but intense and expressive works which move trough different feelings, tempos and rhythms.
Author: Fleta Polo, Francisco
Short but intense and expressive works which move trough different feelings, tempos and rhythms.
Author: Fleta Polo, Francisco
They are short but intense, expressive and idiomatic works which move through different airs, tempos and rhythms. These five duos are dedicated to his good friend and viola performer, Abili Fort.
Author: Fleta Polo, Francisco
They are short but intense, expressive and idiomatic works which move through different airs, tempos and rhythms. These five duos are dedicated to his good friend and viola performer, Abili Fort.
Author: Fleta Polo, Francisco
Nature is very present in these duets: you can feel the serenity and the nobility of the cello.
Author: Fleta Polo, Francisco
Nature is very present in these duets: you can feel the serenity and the nobility of the cello.
Author: Taverna-Bech, Francesc
Climes I has only one movement and is conceived in complete freedom, both in its harmonic aspects and its formal aspects. It is a lyric rhapsody where some chords and certain sequences act as structural elements in the composition, with the central part being poco scherzando to balance the score.
Author: Taverna-Bech, Francesc
Climes II is based on its predecessor Climes I —composed a year earlier for clarinet and piano— and similarly, has a single movement with a free structure. The intervallic element is evident throughout the work and only in the central part (Calmo) do we find that the melodic line is more static.
Author: Taverna-Bech, Francesc
Climes II is based on its predecessor Climes I —composed a year earlier for clarinet and piano— and similarly, has a single movement with a free structure. The intervallic element is evident throughout the work and only in the central part (Calmo) do we find that the melodic line is more static.
Author: Soto, Pere
The work Colom-biz by composer Pere Soto Tejedor represents a real challenge for every guitarist of the camera ensemble, as each guitar can be a piece in solo format, given its high musical and technical complexity.