Author: Torrents, Mercè
Dibuixant by Mercè Torrents has three movements. In the first the piano continuously draws a picture while the flute expands on this, singing in various registers. The second movement describes a sense of calmness through the flute in a low register, while the piano follows it with slow chords.To end the work, the third movement brings us back to...
Author: Homs, Joaquim
In the Duo for flute and guitar all the melodic lines are derived from the fluctuation of intervals included within the range of minor and major thirds, melancholic in tone and which, in those moments of greatest expressive intensity, expand into wider lines and chords.
Author: Civilotti, Alejandro
These pieces are dedicated to the memory of the composer’s nephew, Sergio Javier Godoy who died in April 2005, and were written two months later. The meaning of these four pieces for guitar and clarinet is to establish a dialogue with those questions will never be answers.
Author: Rodríguez Picó, Jesús
The “fantasy” concept includes that of a movement-less piece, with a very free format that is playful in its use of contrasts, combining this initial theme with more dynamic fragments. In spite of this thematic reappearance, the work does not correspond to the rondo form, but the formal freedom is the one that commands.
Author: Valls Duran, Pere
The Great Forced Concert of Doublebass is divided into three parts, Allegro moderato, Barcarola and Scherzo finale, and allows a great brilliance of the performer either on piano version or orchestra version.
Author: Valls Duran, Pere
The Great Forced Concert of Doublebass is divided into three parts, Allegro moderato, Barcarola and Scherzo finale, and allows a great brilliance of the performer either on piano version or orchestra version.
Author: Civilotti, Alejandro
The three movements of the work refers to the styles of music that are as much about the music literature of Argentina, and as musical past of the author, tied to the tango and folklore.
Author: Fleta Polo, Francisco
This Impromptu núm. 21 per a dos violins is a fresh and direct piece of work: two violins that converse and blend their voices in a pleasant and spiritually uplifting musical moment.
Author: Fleta Polo, Francisco
Though not a virtuoso work, it is still very demanding. The first part of the Impromptu núm. 9a by F. Fleta Polo creates a restless harmonic climate with many chromatic nuances. The second part, in contrast, is very rhythmic and features an element of perpetual movement that defines the intense, energetic nature of the work.
Author: Fleta Polo, Francisco
Impromptu núm. 17 by Fleta Polo has no other pretension than to express the composer’s need to make music for the instrumental combination proposed and, above all, to please the musicians to whom the music is dedicated.
Author: Bertran, Moisès
The work is written in ternary form and broadly speaking it is composed as an improvisation. After a short introduction, appear the main lyrical theme on the horn. In the middle of the piece there is a section in a jazz style, which has some interesting figures on the piano. The most noteworthy features is its expressive depth, which is at its greatest in...
Author: Benejam, Lluís
Lluís Benejam’s music flows forth from an open and vivacious spirit, susceptible to different influences. His work includes reminiscences of impressionism and jazz, incorporated in a personal way of understanding music: