Author: Taverna-Bech, Francesc
The eight short movements of Calidoscopi I by Francesc Taverna-Bech emerge around a set of twelve sounds –almost never followed in the original order– and a rhythmic motif.
Author: Taverna-Bech, Francesc
The first and last of the five pieces may be considered as an interplay of expressive contrasts. The second is an invention of an atonic character. The third is an kind of anti-romantic waltz, while the fourth piece is the simple evocation of the night with its murmurs and fading sonority.
Author: Grèbol, Armand
Miniatures is a descriptive work and that each movement in itself tells us something we will not find in the others, a feature that at the same time serves to give a sense of unity.
Author: Casablancas, Benet
The Prelude and Fugue in C by Benet Casablancas is the first in a long series of piano compositions by this composer. Despite being a rather green, beginner’s score, it provides an interesting introduction to his body of works for piano.
Author: Valls Duran, Pere
This work contains two main qualities that make it very special, the technical challenge for the performer and their characteristic features of Spanish music.
Author: Valls Duran, Pere
This work contains two main qualities that make it very special, the technical challenge for the performer and their characteristic features of Spanish music.
Author: Mestres Quadreny, Josep M.
Vara per dos by Josep M. Mestres Quadreny is a work in three small movements for piano for 4 hands.
Author: Guzmán, Josep Lluís
The variable order of the twelve tones of the chromatic scale is very present in the construction of both preludes, but simultaneously maintains an harmonic cadential substrate.
Author: Mestres Quadreny, Josep M.
Vara per dos by Josep M. Mestres Quadreny is a work in three small movements for piano for 4 hands.
Author: Cercós, Josep
In this work highlights some of the most characteristic stylistic features of the author.
Author: Guinjoan, Joan
Remembering Millàs, this short piece contains the melodic potential of the chosen medieval song in the form of variations, using a discreet modal language with brief dissonances that do not affect the consistency of the musical approach.