Subcategories
Author: Rodríguez Picó, Jesús
Each trio of this work is defined by a distinctive rhythm, making a path from the march to the boogie, so the student becomes more familiar with shapes and styles that will emerge throughout their studies.
Author: Rodríguez Picó, Jesús
The characters of the Commedia dell’Arte have been referenced in many creative spheres. In the Sonata to Columbine, the Columbine character, as described in the poem by Verlaine, is the point of reference that determines the composition.
Author: Rodríguez Picó, Jesús
The Sonata Marina is divided into three movements, the first begins with a slightly nostalgic saxophone theme, the second focuses on the idea of distance and not return, the third initiated by an allusion to Mahler's music, has a more free-flowing and bright style.
Author: Benejam, Lluís
Very successful version of the original Sonata for violin and piano No. 1.
Author: Benejam, Lluís
This piece clearly shows post-impressionist traits, modal turns of phrase, a wealth of registers, a constant rhythm, a taste for chromatic modulations and a mastery of counterpoint. Although the alto saxophone is undoubtedly the protagonist throughout the piece, the piano is not restricted to an accompanying role but is instead clearly involved in the...
Author: Bertran, Moisès
The Prelude and Dance follows a typical structure of Frederic Monpou, and the Finale closes the work.
Author: Gerhard, Robert
Gerhard's Suite comprises two movements in the form of dance, El Conde Sol with a solemn character and predominance of a binary rhythm, and Sevillana, more agitated and in a ternary rhythm.
Author: Coll, Xavier
The Tango is a modern tango on the lines of those of Piazzolla. In contrast to the tango, which is so related to the poor areas of Buenos Aires, the chacarera is rural. As this music is strongly rooted in popular music, the performer can adapt it according to his/her creativity, always bearing in mind the essential nature of each of the pieces.
Author: Benejam, Lluís
The collection Three pieces for oboe and string quartet is, then, one of the first scores Lluís Benejam ever composed, despite which the musical language that would later characterise Benejam’s work is already present in its basic form.
Author: Rodríguez Picó, Jesús
The Trio Concertante is divided into three conventional movements. A theme, sad and meditative in character, appears at the beginning which is later repeated at different points in the work. Apart from these brief passages, the instrumental treatment is virtuoso and rhythmic in nature.
Author: Fleta Polo, Francisco
The piece Trio núm. 3 is rather lengthy and is playful with the tonalities of the three main instruments from the saxophone family: with the piano ever-present, the first movement requires an alto and a tenor saxophone, the second a tenor and a baritone, and the third a duet of altos.