Subcategories
Author: Romaní, Raimon
[Purchasing this item provides you a licence to make 12 copies of it]
Author: Lamote de Grignon, Ricard
The work Facècia reflects the humorous and light-hearted nature that the title announces but the latter conceals a very elaborate work based on variation and counterpoint. The original piece hails from Ampurdan in Catalonia, and is dealt with ten times, using traditional variation resources: extension, diminution, retrogression, inversion, glosa, etc.
Author: Rodríguez Picó, Jesús
When the author composed this piece drew on three reference points, the first of which being Baroque instrumental music; the second reference is the sounding of bells typical of the city of Cervera; thirdly, there are allusions to compositions from Stravinsky's second period.
Author: Nuix, Jep
This is a virtuoso piece that explores the potential of the double bass's sound; a kind of study with room for interpretation.
Author: Nuix, Jep
Tonightingale exudes austerity with clarity and concision.
Author: Rodríguez Picó, Jesús
The work Quatre Poemes (Four Poems) for clarinet and piano arose from four poems of Joan Brossa: these are inspired by the frivolous spirit and the elements of reflection and surrealism, and are based on a hidden rhythmic beat over which the two instruments dialogue.
Author: Rodríguez Picó, Jesús
This melody, taken from the repertoire of the chansonniers, is also representative of a musical repertoire that interested Poulenc, one which he made use of in the third movement of his Clarinet Sonata.
Author: Fleta Polo, Francisco
Capricho concertante no. 3 is a two-movement piece for flute and guitar. In this work, the order of the factors does not change the product, since both instruments are given the same concertante treatment, without giving either instrument prevalence over the other.