Subcategories
Author: Soler, Josep
These three suites for the cello form a provisional unit as it is very likely another one will be added.
Author: Gols, Xavier
The style he cultivated can be compared to contemporaries such as Mompou, Toldrà and Joaquim Serra in that he chose to use the texts of poets such as Carner, Garcés and Papasseit.
Author: Soler, Josep
The Love Songs reflect the vocal music that Soler wrote between 2011 and 2013
Author: Beltrán, José María
This edition aims to present these caprices as mini-concert works as well as studies which can especially develop double-stop left hand technique and varied spiccato bow strokes.
Author: Benejam, Lluís
Trio for violin, cello and piano no. 1 by Lluís Benejam is structured into four movements, has a duration of nearly twenty minutes and an optimistic, romantic feel.
Author: Bertran, Moisès
Apuntes sobre Pizarro (Notes on Pizarro), written in February 2007, was a preliminary study for opera that I composed between the summer of that year and the end of 2009.
Author: Benejam, Lluís
A work of simple language, with American sound and a touch of Hollywood style, with great rhythmic resources, and especially of color and melodics, culminating with some Spanish touch.
Author: Toldrà, Eduard
The original version of La Maledicció del Comte Arnau by Eduard Toldrà is for three cobles (wind instruments ensemble) and timpani. Later, himself made the orchestral version.
Author: Bacchus, Peter
This work is a tribute to the composer and flutist Robert Dick, who explored the resources of the instrument, The other flute, as Dick called it. The interpreter will perceive this work as a challenge to achieve and will discover a world of sonic possibilities of the flute.
Author: Rodríguez Picó, Jesús
There is a certain degree of continuity between the Concerto Nr. 1 for clarinet and orchestra (1989) and the Concerto Nr. 2 (1990), and they in fact have many similarities, such as the relationship that is established between the orchestra and the solo clarinet, the use of expressive clarinet passages of great technical complexity, and also thematic...
Author: Bacchus, Peter
The lyric first movement starts the piece with three flutes and alto flute. The second movement, a perpetual motion scherzo, begins with four C-flutes. There is no break between the third and fourth movements, and takes places over an ostinato. The piece comes to a bravura and virtuosic finale.
Author: Baldrís, Carlota
The work is inspired by the magical night of Saint John and proposes to let us take a little trip to the world of emotions, from the calm to joy, the fullness to melancholy, the party to a reflection more intimate.