Subcategories
Author: Romaní, Raimon
Un capaltard d’octubre (An October Evening) is a seven-minute work which expresses the gradual process of someone venturing confidently into the heart of nature in search of their inner world. The text comes from the first part of Tarda i Vespre (Afternoon and Evening), a poem in four sections written by Màrius Torres in 1941.
Author: Romaní, Raimon
Un capaltard d’octubre (An October Evening) is a seven-minute work which expresses the gradual process of someone venturing confidently into the heart of nature in search of their inner world. The text comes from the first part of Tarda i Vespre (Afternoon and Evening), a poem in four sections written by Màrius Torres in 1941.
Author: Oltra, Manuel
These pieces have been written with an unusual language of Manuel Oltra, making them unique; over the years have gained a great recognition by the best choirs in Catalonia.
Author: Galeote, Josep
Deux pièces Parisiennes is a homage to the inner world and the intellectual curiosity of Livia Gallignani, a graduate in history of theatre, music and dance from the University of Ferrara and the composer’s partner.
Author: Galeote, Josep
Deux pièces Parisiennes is a homage to the inner world and the intellectual curiosity of Livia Gallignani, a graduate in history of theatre, music and dance from the University of Ferrara and the composer’s partner.
Author: Benejam, Lluís
Lluís Benejam dedicated this work to the Quartet Filharmonia (1946-1957) formed by Emilia and Núria Quer, Francesc Paulet and Enric Climent, the latter was also the founder of Clivis Publicacions. The Filharmonia Quartet performed it in numerous concerts with harpist Rosa Balcells.
Author: Benejam, Lluís
Lluís Benejam dedicated this work to the Quartet Filharmonia (1946-1957) formed by Emilia and Núria Quer, Francesc Paulet and Enric Climent, the latter was also the founder of Clivis Publicacions. The Filharmonia Quartet performed it in numerous concerts with harpist Rosa Balcells.
Author: Soler, Josep
Harmonices Mundi deals with the fugue in all its possibilities, often on its own, but also with preludes, associated to dances or within a partita. In this volume, the first five fugues are presented directly (in three or four voices) and it is only in the last piece that the fugue is presented with a prelude.