Author: Puértolas, Pere J.
The Concert for Percussion and Symphony Orchestra by Pere J. Puértolas keeps the same structure of a classical concert. Moreover, it's a very complex concert that required absolute mastery of every aspect of percussion.
Author: Gerhard, Robert
Gerhard's Suite comprises two movements in the form of dance, El Conde Sol with a solemn character and predominance of a binary rhythm, and Sevillana, more agitated and in a ternary rhythm.
Author: Bertran, Moisès
Score available only in visione. Materials on hire.
Author: Bertran, Moisès
Score available only in visione. Materials on hire.
Author: Romaní, Raimon
Work of great tension and expressiveness, built in five sections describing five scenes from the Bible (Luke 24: 1-12) which recounts the moment of the resurrection of Jesus.
Author: Romaní, Raimon
Veni, Creator Spiritus takes the text of a medieval hymn that invokes the creative spirit. The work has a triumphal air about it, as if the creative spirit were already being felt at the very moment of its invocation. It is an expression of vitality, power and positivity.
Author: Romaní, Raimon
Veni, Creator Spiritus takes the text of a medieval hymn that invokes the creative spirit. The work has a triumphal air about it, as if the creative spirit were already being felt at the very moment of its invocation. It is an expression of vitality, power and positivity.
Author: Lamote de Grignon, Ricard
The work Facècia reflects the humorous and light-hearted nature that the title announces but the latter conceals a very elaborate work based on variation and counterpoint. The original piece hails from Ampurdan in Catalonia, and is dealt with ten times, using traditional variation resources: extension, diminution, retrogression, inversion, glosa, etc.
Author: Lamote de Grignon, Ricard
Ricard Lamote de Grignon does not use the composer José Serrano's most popular melodies to do Fantasía, but places less well-known fragments on the stave.
Author: Benejam, Lluís
Composed in 1962, the Flamenco Overture is one of the orchestral works that Benejam wrote once he had settled in Birmingham (Alabama), and reflects the Hispanic character of other works that he also composed during those years such as Baile (Spanish Dance), the Iberian Preludes and Lorqueña.
Author: Valls Duran, Pere
The Great Forced Concert of Doublebass is divided into three parts, Allegro moderato, Barcarola and Scherzo finale, and allows a great brilliance of the performer either on piano version or orchestra version.