Author: Armenter, Xavier
The title Fantasia reflects the free use of the different formal resources used. We can therefore recognise the Variation, the Fugue and the structural elements of the Sonata form that are essential in structuring a work of certain complexity.
Author: Capdevila, Mercè
The work Corn d'or comprises quick, compressed sounds whose density means they can be listened to en masse. In the slow moments the mass deflates and softens, the sound expands and separates, breaking off in the form of phrases, or isolated sounds, with different properties, directions and levels.
Author: Soler, Josep
Two themes inspired by Verdi serve to create different variations and juxtapositions, which never appear in the same way.
Author: Nuix, Jep
Tonightingale exudes austerity with clarity and concision.
Author: Guzmán, Josep Lluís
This work is a small poem with a simple and cantabile language, in which all instruments have the same level of prominence.
Author: Homs, Joaquim
Towards the end of 1949, the composer focused on composing his third string quartet, for which he went back to two musical themes, quite different one from the other, that he sketched around 1931-1932.
Author: Fleta Polo, Francisco
The Sextet for strings by Francisco Fleta Polo has an inner rhythm that is often very clear, with work based on dance movements, lending it a fresh, direct feel that is very characteristic of the personal language of Fleta.
Author: Fleta Polo, Francisco
The Sextet for strings by Francisco Fleta Polo has an inner rhythm that is often very clear, with work based on dance movements, lending it a fresh, direct feel that is very characteristic of the personal language of Fleta.
Author: Gerhard, Robert
Gerhard's Suite comprises two movements in the form of dance, El Conde Sol with a solemn character and predominance of a binary rhythm, and Sevillana, more agitated and in a ternary rhythm.