Author: Capdevila, Mercè
The work Corn d'or comprises quick, compressed sounds whose density means they can be listened to en masse. In the slow moments the mass deflates and softens, the sound expands and separates, breaking off in the form of phrases, or isolated sounds, with different properties, directions and levels.
Author: Nuix, Jep
Tonightingale exudes austerity with clarity and concision.
Author: Homs, Joaquim
Towards the end of 1949, the composer focused on composing his third string quartet, for which he went back to two musical themes, quite different one from the other, that he sketched around 1931-1932.
Author: Fleta Polo, Francisco
The Sextet for strings by Francisco Fleta Polo has an inner rhythm that is often very clear, with work based on dance movements, lending it a fresh, direct feel that is very characteristic of the personal language of Fleta.
Author: Fleta Polo, Francisco
The Sextet for strings by Francisco Fleta Polo has an inner rhythm that is often very clear, with work based on dance movements, lending it a fresh, direct feel that is very characteristic of the personal language of Fleta.
Author: Gerhard, Robert
Gerhard's Suite comprises two movements in the form of dance, El Conde Sol with a solemn character and predominance of a binary rhythm, and Sevillana, more agitated and in a ternary rhythm.
Author: Benejam, Lluís
The style of Quartet de corda número 1 (String Quartet No. 1) by Lluís Benejam is highly expressive and includes a rhythmic accent to enhance a free and lively melody.
Author: Benejam, Lluís
The collection Three pieces for oboe and string quartet is, then, one of the first scores Lluís Benejam ever composed, despite which the musical language that would later characterise Benejam’s work is already present in its basic form.
Author: Bertran, Moisès
Esguards silents is a piece in three movements, Uncertainty, Bewilderment and Desolation. Each one of them wants to express a emotional state as it could be felt by a child from any country in front of the disasters of a war.