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Author: Fleta Polo, Francisco
The composer he does not limit himself to using the trumpet as a fanfare instrument; rather he makes use of all its resources. The piece, though not exceptionally difficult to play, is demanding at the chamber level. The piano part is optional: it reinforces the rhythmical element of the piece and can help to set tuning when the piece is played by...
Author: Fleta Polo, Francisco
The composer he does not limit himself to using the trumpet as a fanfare instrument; rather he makes use of all its resources. The piece, though not exceptionally difficult to play, is demanding at the chamber level. The piano part is optional: it reinforces the rhythmical element of the piece and can help to set tuning when the piece is played by...
Author: Benejam, Lluís
This version for trumpet and piano of the Concerto for Trumpet and String Orchestra is part of the half dozen or so concert pieces Lluís Benejam composed while in the United States in the 1960s alongside his Concerto for violin, Concerto for saxophone, Concerto for oboeand his two double concertos: one for two pianos and a second for oboe and violin.
Author: Benejam, Lluís
This version for trumpet and piano of the Concerto for Trumpet and String Orchestra is part of the half dozen or so concert pieces Lluís Benejam composed while in the United States in the 1960s alongside his Concerto for violin, Concerto for saxophone, Concerto for oboeand his two double concertos: one for two pianos and a second for oboe and violin.