Author: Armenter, Xavier
The title Fantasia reflects the free use of the different formal resources used. We can therefore recognise the Variation, the Fugue and the structural elements of the Sonata form that are essential in structuring a work of certain complexity.
Author: Armenter, Xavier
The title Fantasia reflects the free use of the different formal resources used. We can therefore recognise the Variation, the Fugue and the structural elements of the Sonata form that are essential in structuring a work of certain complexity.
Author: Fleta Polo, Francisco
The piece Fantasia Concertante, which is structured as a single movement, fits perfectly into the fantasia genre: a free discourse from the solo instrument which, in spite of being based on an initial theme, includes various themes by way of improvisation.
Author: Soto, Pere
Two pieces for piano of two moments quite distant in time, not so much in terms of style.
Author: Benejam, Lluís
This work is brilliant, energetic, at certain moments impressionist, at others polytonal or influenced by the language of jazz, it clearly evinces the spirituality of its composer.
Author: Benejam, Lluís
This work is brilliant, energetic, at certain moments impressionist, at others polytonal or influenced by the language of jazz, it clearly evinces the spirituality of its composer.
Author: Rodríguez Picó, Jesús
The “fantasy” concept includes that of a movement-less piece, with a very free format that is playful in its use of contrasts, combining this initial theme with more dynamic fragments. In spite of this thematic reappearance, the work does not correspond to the rondo form, but the formal freedom is the one that commands.
Author: Rodríguez Picó, Jesús
Fantasía covers some of the themes from the opera El viatge de Marlow, primarily the theme of a journey that appears right from the beginning of the piece and is its main theme. This motif leads to others that refer to the landscape of darkness, to the forest or to the grotesque characters that survive in these inhospitable surroundings.
Author: Lamote de Grignon, Ricard
Ricard Lamote de Grignon does not use the composer José Serrano's most popular melodies to do Fantasía, but places less well-known fragments on the stave.
Author: Benejam, Lluís
Composed in 1962, the Flamenco Overture is one of the orchestral works that Benejam wrote once he had settled in Birmingham (Alabama), and reflects the Hispanic character of other works that he also composed during those years such as Baile (Spanish Dance), the Iberian Preludes and Lorqueña.
Author: Benejam, Lluís
Composed in 1962, the Flamenco Overture is one of the orchestral works that Benejam wrote once he had settled in Birmingham (Alabama), and reflects the Hispanic character of other works that he also composed during those years such as Baile (Spanish Dance), the Iberian Preludes and Lorqueña.