Author: Sardó, Adrià
Gestures are what the conductor uses to communicate with the orchestra and to be able to express what he feels about the music it is playing.
Author: Soler, Josep
The work is based on a summary of four songs from the Llibre Vermell (Red Book) by Montserrat.
Author: Soler, Josep
The work is based on a summary of four songs from the Llibre Vermell (Red Book) by Montserrat.
Author: Taverna-Bech, Francesc
The content of the work Graffiti revolves around the desolation in which modern society lives because of habits imposed by a few people exercising power. In a way, graffiti art expresses this rebellion against the system, creating a world of fantastic graphics to escape the oppression of everyday life.
Author: Taverna-Bech, Francesc
The content of the work Graffiti revolves around the desolation in which modern society lives because of habits imposed by a few people exercising power. In a way, graffiti art expresses this rebellion against the system, creating a world of fantastic graphics to escape the oppression of everyday life.
Author: Valls Duran, Pere
The Great Forced Concert of Doublebass is divided into three parts, Allegro moderato, Barcarola and Scherzo finale, and allows a great brilliance of the performer either on piano version or orchestra version.
Author: Valls Duran, Pere
The Great Forced Concert of Doublebass is divided into three parts, Allegro moderato, Barcarola and Scherzo finale, and allows a great brilliance of the performer either on piano version or orchestra version.
Author: Valls Duran, Pere
The Great Forced Concert of Doublebass is divided into three parts, Allegro moderato, Barcarola and Scherzo finale, and allows a great brilliance of the performer either on piano version or orchestra version.
Author: Torrents, Mercè
Guspires by Mercè Torrents is a divertimento inspired by sparks from a firework.
Author: Torrents, Mercè
Guspires by Mercè Torrents is a divertimento inspired by sparks from a firework.
Author: Soler, Josep
Harmonices Mundi deals with the fugue in all its possibilities, often on its own, but also with preludes, associated to dances or within a partita. In this volume, the first five fugues are presented directly (in three or four voices) and it is only in the last piece that the fugue is presented with a prelude.