Author: Fleta Polo, Francisco
The first part of the Impromptu núm. 14 is like a perpetual, fast-paced movement with a playful character in which the rapport between the two performers is very demanding, with the oboe always in the sharp register, punchy and incisive.
Author: Fleta Polo, Francisco
Most of the more than twenty impromptus in Fleta’s catalogue are dedicated to string instruments but in this particular case the main protagonist is the oboe.
Author: Fleta Polo, Francisco
Impromptu núm. 17 by Fleta Polo has no other pretension than to express the composer’s need to make music for the instrumental combination proposed and, above all, to please the musicians to whom the music is dedicated.
Author: Fleta Polo, Francisco
The work pays homage to Johannes Brahms, with each viola represented by one of the letters in the German composer’s surname, and is structured in a single movement.
Author: Fleta Polo, Francisco
Though not a virtuoso work, it is still very demanding. The first part of the Impromptu núm. 9a by F. Fleta Polo creates a restless harmonic climate with many chromatic nuances. The second part, in contrast, is very rhythmic and features an element of perpetual movement that defines the intense, energetic nature of the work.
Author: Civilotti, Alejandro
The three movements of the work refers to the styles of music that are as much about the music literature of Argentina, and as musical past of the author, tied to the tango and folklore.
Author: Civilotti, Alejandro
The three movements of the work refers to the styles of music that are as much about the music literature of Argentina, and as musical past of the author, tied to the tango and folklore.
Author: Bertran, Moisès
The work is written in ternary form and broadly speaking it is composed as an improvisation. After a short introduction, appear the main lyrical theme on the horn. In the middle of the piece there is a section in a jazz style, which has some interesting figures on the piano. The most noteworthy features is its expressive depth, which is at its greatest in...