Author: Lamote de Grignon, Ricard
The Miniatures are small pieces for small groups (from duets, trios and quartets to groups of eleven players) which explore the possibilities of the performers from the perspective of sound rather than technique or virtuosity.
Author: Lamote de Grignon, Ricard
The Miniatures are small pieces for small groups (from duets, trios and quartets to groups of eleven players) which explore the possibilities of the performers from the perspective of sound rather than technique or virtuosity.
Author: Lamote de Grignon, Ricard
The Miniatures are small pieces for small groups (from duets, trios and quartets to groups of eleven players) which explore the possibilities of the performers from the perspective of sound rather than technique or virtuosity.
Author: Lamote de Grignon, Ricard
The Miniatures are small pieces for small groups (from duets, trios and quartets to groups of eleven players) which explore the possibilities of the performers from the perspective of sound rather than technique or virtuosity.
Author: Lamote de Grignon, Ricard
The Miniatures are small pieces for small groups (from duets, trios and quartets to groups of eleven players) which explore the possibilities of the performers from the perspective of sound rather than technique or virtuosity.
Author: Lamote de Grignon, Ricard
The Miniatures are small pieces for small groups (from duets, trios and quartets to groups of eleven players) which explore the possibilities of the performers from the perspective of sound rather than technique or virtuosity.
Author: Bertran, Moisès
Miniatures per Gaudí is written in seven short movements that are performed without a break and therefore form a continuous multi-sectional structure. The seven pieces, entitled Prelude, Toccata I, Cantilena, Scherzo, Interlude, Toccata II and Melody, are based on the set of musical notes derived from the letters that form the surname of the modernist...
Author: Bertran, Moisès
Miniatures per Gaudí is written in seven short movements that are performed without a break and therefore form a continuous multi-sectional structure. The seven pieces, entitled Prelude, Toccata I, Cantilena, Scherzo, Interlude, Toccata II and Melody, are based on the set of musical notes derived from the letters that form the surname of the modernist...
Author: Homs, Joaquim
[Purchasing this item provides you a licence to make 12 copies of it] Composed in 1943, it was first performed in the Church of Sant Ildefons, Barcelona by the choir Coral Càrmina, under the direction of Jordi Casas, on 6th May, 1985.
Author: Rodríguez Picó, Jesús
The piece Moebius Trio by Rodríguez Picó includes the peculiar properties of the Moebius looped strip by using themes predominantly built up around long notes that give a feeling of a flat yet wavy surface, and by linking the different parts as if always bringing us back to the beginning again.