Author: Soto, Pere
In this work the composer experiments with the technique of applying sculpture to music. At the same time he incorporates improvisations with the sole purpose of letting out his feelings and constructing emotional structures, and it is then that the notes cease to have any real importance in themselves.
Author: Benejam, Lluís
In his String Trio No. 1 (1956) Lluís Benejam plays with the sounds of two violins and a viola from a classical premise yet with a modern spirit.
Author: Benejam, Lluís
In his String Trio No. 1 (1956) Lluís Benejam plays with the sounds of two violins and a viola from a classical premise yet with a modern spirit.
Author: Valls Duran, Pere
This work contains two main qualities that make it very special, the technical challenge for the performer and their characteristic features of Spanish music.
Author: Valls Duran, Pere
This work contains two main qualities that make it very special, the technical challenge for the performer and their characteristic features of Spanish music.
Author: Taverna-Bech, Francesc
These pieces also have a didactic side to them which makes them suitable for intermediate level piano teaching, with technical difficulties including elaborate piano formulas such as hand cross-overs, arpeggiated chords and three-stave notation, to be gradually overcome by students.
Author: Rodríguez Picó, Jesús
The origin of Suite d'Opportunitas lies in the chamber opera entitled Opportunitas (Fàbula musicomòrfica) with libretto by Georgina Rabassó and music by Jesús Rodríguez Picó that debuted at the Altaveu Festival in 2004.
Author: Bofill, Anna
Was composed in 1978 following a visit to Algeria and the Sahara desert, Tamanrasset. The premiere was in 2006 by the Australian guitarist Rene Mora. The Suite de Tamanrasset is structured into four movements in which liberty and the sensation of improvisation prevail, while at the same time exploring the various resources of the guitar.