Author: Torrents, Mercè
This work, which is presented in the form of a suite for piano, impressionist by nature, reflects the thirty two poems that make up in which the reading of each poem alternates with the fragment of music that recreates it.
Author: Fleta Polo, Francisco
Fleta Polo has organised the Tema amb variacions in 10 issues, each one containing the piece and some of the variations. There are virtuoso, introspective, passionate, ethereal, vertical (with a display of chords) and horizontal pieces (with dialogues between the two hands), amongst others. A piece with great scope where Fleta shows that he is also a...
Author: Fleta Polo, Francisco
Tema amb Variacions by F. Fleta Polo is a piece that was originally written for the guitar and which later formed part of the author’s first symphony, which featured a piano concertante. The track is original and features five bars.
Author: Bofill, Anna
Temps de paraules (Time of Words) contains four songs inspired on texts by the women writers Maria Mercè Marçal, Víctor Català (Caterina Albert) and Maria Antònia Salvà.
Author: Bofill, Anna
Temps de paraules (Time of Words) contains four songs inspired on texts by the women writers Maria Mercè Marçal, Víctor Català (Caterina Albert) and Maria Antònia Salvà.
Author: Casablancas, Benet
The breadth of expressive registers in the Edgar Allan Poe poem The Lake –mysterious and impenetrable, like so many of his texts– along with the wealth of different interpretations it suggests, configured the different elements of the musical discourse.
Author: Gols, Xavier
The style he cultivated can be compared to contemporaries such as Mompou, Toldrà and Joaquim Serra in that he chose to use the texts of poets such as Carner, Garcés and Papasseit.
Author: Gols, Xavier
The style he cultivated can be compared to contemporaries such as Mompou, Toldrà and Joaquim Serra in that he chose to use the texts of poets such as Carner, Garcés and Papasseit.
Author: Benejam, Lluís
The collection Three pieces for oboe and string quartet is, then, one of the first scores Lluís Benejam ever composed, despite which the musical language that would later characterise Benejam’s work is already present in its basic form.