Subcategories
Author: Rövenstrunck, Bernat
These duets were written with the aim of familiarizing violinists with playing techniques, introducing them to playing chamber music. They can also be played by other instruments such as cello, viola or piano.
Author: Garcia Gago, Josep
Garcia Gago developes a simple melodic theme in Arioso, based on the Prelude No. 5 in D by Johann Sebastian Bach, while the work Clar de lluna (Moonlight) by Beethoven recives an impressionist brushwork of Josep Garcia Gago.
Author: Taverna-Bech, Francesc
Calidoscopi III by F. Taverna-Bech is not just a descriptive work but features numerous reflective elements and a certain melancholy, like a flow of nostalgia for other times when, as a child, he was captivated by the toy.
Author: Fleta Polo, Francisco
The initial cell of the descending arpeggio gives unity to the work that, despite its briefness, clearly shows the personality of Fleta Polo’s language and his deep knowledge of the different instruments he writes for.
Author: Fleta Polo, Francisco
In the opening section of Caprici núm. 2 by F. Fleta Polo the instruments are presented one by one through the use of solo parts, before merging to form the chamber piece proper, and the contrapuntal writing can be seen throughout in a piece whose appeal lies in its contrasts in colour and character.
Author: Fleta Polo, Francisco
Short but intense and expressive works which move trough different feelings, tempos and rhythms.
Author: Fleta Polo, Francisco
Short but intense and expressive works which move trough different feelings, tempos and rhythms.
Author: Taverna-Bech, Francesc
Climes II is based on its predecessor Climes I —composed a year earlier for clarinet and piano— and similarly, has a single movement with a free structure. The intervallic element is evident throughout the work and only in the central part (Calmo) do we find that the melodic line is more static.
Author: Bozzo, David
First and last movements of this Concerto by David Bozzo are made with the same thematic material and with a similar formal structure, like a house from where one leaves and where one returns.
Author: Capdevila, Mercè
The work Corn d'or comprises quick, compressed sounds whose density means they can be listened to en masse. In the slow moments the mass deflates and softens, the sound expands and separates, breaking off in the form of phrases, or isolated sounds, with different properties, directions and levels.
Author: Ferrer, Enric
This Sonatina is inspired by the first of the Four Quartets by T. S. Eliot, Burn Norton.
Author: Soto, Pere
In this quartet, Pere Soto has let his imagination soar in creating an entertaining imaginary story about a hypothetical trip by Django to Havana. With the combination of the Cuban sound and the manouche fanfare, he has managed to merge the two essences and aesthetics in a highly original piece, offering a real challenge to an ambitious quartet.