Subcategories
Author: Benejam, Lluís
The style of Quartet de corda número 1 (String Quartet No. 1) by Lluís Benejam is highly expressive and includes a rhythmic accent to enhance a free and lively melody.
Author: Homs, Joaquim
Towards the end of 1949, the composer focused on composing his third string quartet, for which he went back to two musical themes, quite different one from the other, that he sketched around 1931-1932.
Author: Puertas, David
These small divertimentos for violin and viola have a medium level of difficulty, and work on them allows to approach to the features of chamber music for duet.
Author: Colomer, Consuelo
It is pure, simple music, transmitting the composer’s message full of nuances and colours, like those of a bouquet of flowers or those inspired by a tender smile.
Author: Vilaprinyó, Jordi
In the Rondó-fantasia de Jordi Vilaprinyó the piano is the driving force of the whole work and the tenora and violoncello drive the melodies upwards to reach a climatic cadenza where the two instruments create a harmonious dialogue.
Author: Fleta Polo, Francisco
The Sextet for strings by Francisco Fleta Polo has an inner rhythm that is often very clear, with work based on dance movements, lending it a fresh, direct feel that is very characteristic of the personal language of Fleta.
Author: Fleta Polo, Francisco
The Sextet for strings by Francisco Fleta Polo has an inner rhythm that is often very clear, with work based on dance movements, lending it a fresh, direct feel that is very characteristic of the personal language of Fleta.
Author: Benejam, Lluís
A work which shows a great maturity in the language, a good knowledge of the solo instrument, a wide regulatory freedom and balanced flow of rhythmic variation.
Author: Fleta Polo, Francisco
Following the principles that guide all Fleta’s works, the Sonata for Cello was written essentially to please the performer, with the conviction that if the player enjoyed performing it, then the audience would enjoy listening to it.