Subcategories
Author: Oltra, Manuel
This work of Manuel Oltra is composed by two independent parts, which respond to two different rhythmic atmospheres. The first is a lullaby, and the second a rondo.
Author: Fleta Polo, Francisco
The first movement is almost a perpetual movement in which the imitative writing stands out from the first to the last bar. The second movement, slower and reflexive, raises an issue that is revealed on three occasions.
Author: Fleta Polo, Francisco
The composer he does not limit himself to using the trumpet as a fanfare instrument; rather he makes use of all its resources. The piece, though not exceptionally difficult to play, is demanding at the chamber level. The piano part is optional: it reinforces the rhythmical element of the piece and can help to set tuning when the piece is played by...
Author: Benejam, Lluís
Lluís Benejam’s music flows forth from an open and vivacious spirit, susceptible to different influences. His work includes reminiscences of impressionism and jazz, incorporated in a personal way of understanding music:
Author: Grèbol, Armand
The sense of humor of the author and his mordant sarcasm are reflected in the music of each of the five brass instruments, with varied counterpoints and rhythms.
Author: Eckart, Edmundo
Soldados de plomo (Lead Soldiers) is a simple piece, inspired by the memory of the games that children used to play with miniature lead soldiers.
Author: Benejam, Lluís
Lluís Benejam’s music flows forth from an open and vivacious spirit, susceptible to different influences. His work includes reminiscences of impressionism and jazz, incorporated in a personal way of understanding music:
Author: Gerhard, Robert
Gerhard's Suite comprises two movements in the form of dance, El Conde Sol with a solemn character and predominance of a binary rhythm, and Sevillana, more agitated and in a ternary rhythm.
Author: Lamote de Grignon, Ricard
The Miniatures are small pieces for small groups (from duets, trios and quartets to groups of eleven players) which explore the possibilities of the performers from the perspective of sound rather than technique or virtuosity.