Author: Benejam, Lluís
The Concerto for trumpet and string orchestra by Lluís Benejam has three canonic movements and is impregnated throughout by a certain popular and playful register: despite the fact that Benejam makes no musical allusion to traditional themes at any point, the rhythmic features employed from the very first to the very last beat give it a very...
Author: Rodríguez Picó, Jesús
The Concertino per a clarinet i cordes takes the 20th century concertinos for clarinet as its reference, using the technical resources proposed by such works. In spite of being divided into two parts, the piece is written as a continuous work which is, however, full of contrast.
Author: Bertran, Moisès
Concertino for Piano and Strings is characterised by its organic and straight-forward construction, developed with a modesty and simplicity in its musical themes and expressions, which affords it a sense of unity, transparency and clarity.
Author: Rodríguez Picó, Jesús
When the author composed this piece drew on three reference points, the first of which being Baroque instrumental music; the second reference is the sounding of bells typical of the city of Cervera; thirdly, there are allusions to compositions from Stravinsky's second period.
Author: Bozzo, David
First and last movements of this Concerto by David Bozzo are made with the same thematic material and with a similar formal structure, like a house from where one leaves and where one returns.
Author: Benejam, Lluís
The Concerto Grosso stands out among the works written by Benejam in Ecuador, an energetic work, robust, with touches of humor and very representative of the personal language of the composer.
Author: Rodríguez Picó, Jesús
There is a certain degree of continuity between the Concerto Nr. 1 for clarinet and orchestra (1989) and the Concerto Nr. 2 (1990), and they in fact have many similarities, such as the relationship that is established between the orchestra and the solo clarinet, the use of expressive clarinet passages of great technical complexity, and also thematic...
Author: Rodríguez Picó, Jesús
Taking advantage of the characteristics of cobla instruments, the composer moved away from the initial concept of the music for open spaces and conceived the work to be played in a concert hall, with orchestration featuring small solo instruments combined with the depth of sound typical of thecobla.
Author: Lamote de Grignon, Ricard
The structure of this Divertimento for orchestra of symphonic jazz is as follows: The 1st movement is an Allegro, with a joyful Fox rhythm; The 2nd movement, Moderato, has a Waltz time; The 3rd movement has a Slow tempo; Finally, the last movement is an Allegro molto, with a Ragtime rhythm.
Author: Puertas, David
In Divertiment de Nadal for string orchestra you may find Les dotze van tocant, La Mare de Déu, Ara ve Nadal, Sant Josep i la Mare de Deu and El timbaler.
Author: Civilotti, Alejandro
This work of Civilotti shows remarkable imaginative individuality, with a stable emotional atmosphere, and management of unreleased sounds that trap the attention until the end.Jorge Aráoz Badí