Author: Ortega, Miquel
Miquel Ortega has set several poems of the famous "Romancero Gitano" of Federico García Lorca to music: Romance de la luna, luna in the low voice and chamber orchestra version.
Author: Romaní, Raimon
Un capaltard d’octubre (An October Evening) is a seven-minute work which expresses the gradual process of someone venturing confidently into the heart of nature in search of their inner world. The text comes from the first part of Tarda i Vespre (Afternoon and Evening), a poem in four sections written by Màrius Torres in 1941.
Author: Rodríguez Picó, Jesús
Arlecchino, written in 2018, is dedicated to the composer’s friend, the clarinetist Josep Fuster. The title, suggested by Verlaine’s poem Pantomime, refers to the restless, mocking nature of the character.
Author: Lamote de Grignon, Joan
The Scherzo sobre un tema popular (1897) is the first important orchestral work of the composer. It was reviewed and re-orchestrated by himself in 1910 and transcribed for band a few years later. This is the actualized adaptation for band.
Author: Pedrell, Felip
The first version of these symphonic scenes was written in Paris in 1877 under the title La Veu de las Montanyes [The Voice of the Mountains], which the composer entered in a competition held in Barcelona. Pedrell, a man of impetuous character, composed and orchestrated the work in only six days.
Author: Pedrell, Felip
The first version of these symphonic scenes was written in Paris in 1877 under the title La Veu de las Montanyes [The Voice of the Mountains], which the composer entered in a competition held in Barcelona. Pedrell, a man of impetuous character, composed and orchestrated the work in only six days.
Author: Pedrell, Felip
The first version of these symphonic scenes was written in Paris in 1877 under the title La Veu de las Montanyes [The Voice of the Mountains], which the composer entered in a competition held in Barcelona. Pedrell, a man of impetuous character, composed and orchestrated the work in only six days.
Author: Guinjoan, Joan
The Concerto for piano and chamber ensemble was composed in 1963 and was awarded the Schola Cantorum of Paris’ Composition Prize. It is a rather ‘raw’ piece. The piano part is most impressive but the thing that connects this concerto to the rest of the pieces of Guinjoan, is its rhythm.