Author: Colomer, Consuelo
This four melodious songs for voice and piano, by Consuelo Colomer, have a unique musical-poetic sensitivity, infused by its composer.
Author: Benejam, Lluís
Concerto for Saxophone and Orchestra stems from the orchestration that made Lluís Benejam of one of his compositions, the Sonata for Saxophone and Piano, one of the most brilliant works of the author.
Author: Fleta Polo, Francisco
Following the principles that guide all Fleta’s works, the Sonata for Cello was written essentially to please the performer, with the conviction that if the player enjoyed performing it, then the audience would enjoy listening to it.
Author: Lamote de Grignon, Ricard
The Miniatures are small pieces for small groups (from duets, trios and quartets to groups of eleven players) which explore the possibilities of the performers from the perspective of sound rather than technique or virtuosity.
Author: Rodríguez Picó, Jesús
These 23 studies provide students with a series of brief pieces in which the register is progressively increased.
Author: Benejam, Lluís
In his String Trio No. 1 (1956) Lluís Benejam plays with the sounds of two violins and a viola from a classical premise yet with a modern spirit.
Author: Romaní, Raimon
The Magnificat is based on the Gospel of Luke, in which the Virgin praises the wonders of the creator and reflects on his people’s history.
Author: Rodríguez Picó, Jesús
The characters of the Commedia dell’Arte have been referenced in many creative spheres. In the Sonata to Columbine, the Columbine character, as described in the poem by Verlaine, is the point of reference that determines the composition.
Author: Lamote de Grignon, Ricard
The Miniatures are small pieces for small groups (from duets, trios and quartets to groups of eleven players) which explore the possibilities of the performers from the perspective of sound rather than technique or virtuosity.
Author: Oltra, Manuel
The chamber work is exquisite and though initially it may seem unusual, the voice is treated as just another instrument which Oltra interweaved naturally with the other timbres.