Author: Ortega, Miquel
The poem Nueve Gacelas por el Monte Líbano by Rodolfo Häsler is made up of nine sensual poetic verses around which Ortega weaves a transparent music inspired in the poems themselves.
Author: Benejam, Lluís
The Concerto for trumpet and string orchestra by Lluís Benejam has three canonic movements and is impregnated throughout by a certain popular and playful register: despite the fact that Benejam makes no musical allusion to traditional themes at any point, the rhythmic features employed from the very first to the very last beat give it a very...
Author: Salvat, Joaquim
The Sonata per a piano en Do menor (Sonata for Piano in C Minor) by Joaquim Serra is divided into three movements and, from an aesthetic point of view, takes few risks, yet it possesses an unquestionable brilliance and beauty.
Author: Salvat, Joaquim
Oriental - Petita cançó (Oriental - Short song) are two miniatures for violin and piano which radiate the Noucentista feel typical of Joaquim Salvat’s music.
Author: Borgunyó, Agustí
Two Pieces for String Orchestra have all the charm of Agustí Borgunyó’s language: simplicity, freshness, elegance and direct communication without any kind of speculative interest, with a very Mediterranean air permeating them from the first bar.
Author: Taverna-Bech, Francesc
These pieces also have a didactic side to them which makes them suitable for intermediate level piano teaching, with technical difficulties including elaborate piano formulas such as hand cross-overs, arpeggiated chords and three-stave notation, to be gradually overcome by students.
Author: Gols, Xavier
The Suite pour piano (1928-1930) is the composition of greatest importance of Xavier Gols. The Suite was first premiered on 25th June 1930 in the Sala Mozart in Barcelona in a piano recital by its very own composer
Author: Torrents, Mercè
What these poems have in common is the way in which they discuss simple things that evoke feelings or sensations of peace and fulfillment in us.
Author: Bosch, Lluís M.
These pieces are dedicated to the memory of the composer’s nephew, Sergio Javier Godoy who died in April 2005, and were written two months later. The meaning of these four pieces for guitar and clarinet is to establish a dialogue with those questions will never be answers.