Fantasia
The title Fantasia reflects the free use of the different formal resources used. We can therefore recognise the Variation, the Fugue and the structural elements of the Sonata form that are essential in structuring a work of certain complexity.
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E573
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The title Fantasia reflects the free use of the different formal resources used. We can therefore recognise the Variation, the Fugue and the structural elements of the Sonata form that are essential in structuring a work of certain complexity.
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Period | 20th Century |
Instruments | Flute, viola and harp |
Pages | 39 |
Time | 12 min. |
Contents | Score and parts |
ISMN | 979-0-3502-0722-8 |
Edition | Printed |
The title Fantasia reflects the free use of the different formal resources used. We can therefore recognise the Variation, the Fugue and the structural elements of the Sonata form that are essential in structuring a work of certain complexity.
The pieces has a characteristic sound resulting from the harmonic system that is used, which is essentially based on the linking of minor chords a major third apart, a resource already seen in the piece Arc en Ciel for flute quartet by the same composer.
This being the atmosphere of the piece, melody and counterpoint will play an important role, in a piece that could be described as youthful, in the sense that its only desire –which is quite something in itself– is to be beautiful.