Author: Benejam, Lluís
The style of Quartet de corda número 1 (String Quartet No. 1) by Lluís Benejam is highly expressive and includes a rhythmic accent to enhance a free and lively melody.
Author: Fleta Polo, Francisco
The Sextet for strings by Francisco Fleta Polo has an inner rhythm that is often very clear, with work based on dance movements, lending it a fresh, direct feel that is very characteristic of the personal language of Fleta.
Author: Fleta Polo, Francisco
The Sextet for strings by Francisco Fleta Polo has an inner rhythm that is often very clear, with work based on dance movements, lending it a fresh, direct feel that is very characteristic of the personal language of Fleta.
Author: Soto, Pere
In this work the composer experiments with the technique of applying sculpture to music. At the same time he incorporates improvisations with the sole purpose of letting out his feelings and constructing emotional structures, and it is then that the notes cease to have any real importance in themselves.
Author: Rodríguez Picó, Jesús
The origin of Suite d'Opportunitas lies in the chamber opera entitled Opportunitas (Fàbula musicomòrfica) with libretto by Georgina Rabassó and music by Jesús Rodríguez Picó that debuted at the Altaveu Festival in 2004.
Author: Gerhard, Robert
Gerhard's Suite comprises two movements in the form of dance, El Conde Sol with a solemn character and predominance of a binary rhythm, and Sevillana, more agitated and in a ternary rhythm.
Author: Lamote de Grignon, Ricard
Toccata is one of the most important works by Ricard Lamote de Grignon, from the point of view of the compositional technique using his impeccable arrangement and sometimes surprising compositional resources, including some nods to dodecaphonic techniques, and the alternation of compact interventions groups facilitates the development of the work with a...
Author: Nuix, Jep
Tonightingale exudes austerity with clarity and concision.
Author: Benejam, Lluís
The collection Three pieces for oboe and string quartet is, then, one of the first scores Lluís Benejam ever composed, despite which the musical language that would later characterise Benejam’s work is already present in its basic form.