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Author: Toldrà, Eduard
Lionor o La Filla del Marxant is a suite in five movements based on a literary work of the modernist author Adrià Gual, premiered in 1934 under the baton of maestro Pau Casals.
Author: Rodríguez Picó, Jesús
Quasi una polka is a bit of symphonic fun written by Jesús Rodríguez Picó. The instrumentation confers a certain importance on the percussion which besides the drums, also uses other instruments to emphasize phrases or add color to a piece which is already rich in pitch variety and whose rhythm is of a dance from the first bar.
Author: Serra, Joaquim
This work as described by its title is a romantic poem starting with passionate spirit and with a long and wide melody full of expressivity. The piano does not have a soloist part, in spite of appearing notoriously, but becomes part of the orchestral element. The central part consists of four soloist interventions of the violin, the clarinet, the flute...
Author: Lamote de Grignon, Joan
The general structure of the Scherzo is very balanced, breaking with the stratification of the classical scherzo yet maintaining the playful spirit and confident nature that created it.
Author: Fleta Polo, Francisco
It is a fantasia about the sea, in which the most important features are the dynamics, nuances and inner forces.
Author: Rodríguez Picó, Jesús
Like works from the Baroque period, it is characterised by its instrumental virtuosity, short structures and highly varied nature.
Author: Serra, Joaquim
The first of the Tres peces is called Matinal giving a popular air to the piano arpeggios. The second Cançó de Muntanya has clarinet pastoral improvisations. Finally, the third piece called Scherzo is a playful page structured in fugue style
Author: Serra, Joaquim
Variations for orchestra and piano op. 38 belongs to the symphony/concerto genre, with a brilliant piano part that weaves a continuous discourse through a series of virtuosic sections. It is presented and organised as a theme and five variations that make up an organic whole.
Author: Puértolas, Pere J.
The Renard Suite is playful piece. Twenty years after its debut, the composer has recently composed an arrangement for wind ensemble with double base. The work consists of five complementary movements and, with no other pretension beyond that of passing a bit of time with live and cheerful music.
Author: Puértolas, Pere J.
The Concert for Percussion and Symphony Orchestra by Pere J. Puértolas keeps the same structure of a classical concert. Moreover, it's a very complex concert that required absolute mastery of every aspect of percussion.
Author: Oltra, Manuel
The chamber work is exquisite and though initially it may seem unusual, the voice is treated as just another instrument which Oltra interweaved naturally with the other timbres.
Author: Ferrer, Enric
The Concerto for bassoon and string orchestra was commissioned by bassoonist Vasil Nikolov. This is a concerto with a certain austerity and intimacy, which at the same time allows the bassoon to unleash its captivating and magical capacities. Vasil Nikolov with the Radio Sofia Symphony Orchestra under composer direction recorded it the CD will be...