Subcategories
Author: Rodríguez Picó, Jesús
In Barcelona Revisited, the idea of movement and shifting runs throughout the piece and this forward motion is the reason for the choice of musical matter and its transformations.
Author: Taverna-Bech, Francesc
The work Barocke Partita by Francesc Taverna Bech has five movements for piano and chamber orchestra: Intrata, Fughetta, Intermezzo (for piano solo), Canzonetta and Invenzione.
Author: Rodríguez Picó, Jesús
The Concertino per a clarinet i cordes takes the 20th century concertinos for clarinet as its reference, using the technical resources proposed by such works. In spite of being divided into two parts, the piece is written as a continuous work which is, however, full of contrast.
Author: Puertas, David
In Divertiment de Nadal for string orchestra you may find Les dotze van tocant, La Mare de Déu, Ara ve Nadal, Sant Josep i la Mare de Deu and El timbaler.
Author: Taverna-Bech, Francesc
The eight short movements of Calidoscopi I by Francesc Taverna-Bech emerge around a set of twelve sounds –almost never followed in the original order– and a rhythmic motif.
Author: Colomer, Consuelo
Five short ideas for a full keyboard. They are small moving passages that convey certain emotions.
Author: Grèbol, Armand
Miniatures is a descriptive work and that each movement in itself tells us something we will not find in the others, a feature that at the same time serves to give a sense of unity.
Author: Taverna-Bech, Francesc
In this collection the author has expressed his vision of the night when the city is silent, and the vision of the moon looks down on us and lights our way.
Author: Ortega, Miquel
The Sonatina for piano is not an excessively difficult work from a technical point of view and, except for the third movement, as with many Sonatinas from the majority of composers, it is all imbued with a feeling of happiness appropriate for its nature as a Scherzo.
Author: Taverna-Bech, Francesc
The first and last of the five pieces may be considered as an interplay of expressive contrasts. The second is an invention of an atonic character. The third is an kind of anti-romantic waltz, while the fourth piece is the simple evocation of the night with its murmurs and fading sonority.
Author: Taverna-Bech, Francesc
These pieces also have a didactic side to them which makes them suitable for intermediate level piano teaching, with technical difficulties including elaborate piano formulas such as hand cross-overs, arpeggiated chords and three-stave notation, to be gradually overcome by students.
Author: Serra, Joaquim
Dansa is an extraordinarily brilliant piece, with admirable piano writing. The Tres Peces Breus pieces were composed in 1932, and their harmonic language is close to the vaporous and refined sonorities of Frederic Mompou’s music. The three pieces share an interesting mirror structure (ABCBA), a variant on the traditional ternary Lied.