Subcategories
Author: Beltrán, José María
This edition aims to present these caprices as mini-concert works as well as studies which can especially develop double-stop left hand technique and varied spiccato bow strokes.
Author: Civilotti, Alejandro
This is a short and highly musical piece which puts the technical skills of the performer to the test.
Author: Fleta Polo, Francisco
The initial cell of the descending arpeggio gives unity to the work that, despite its briefness, clearly shows the personality of Fleta Polo’s language and his deep knowledge of the different instruments he writes for.
Author: Fleta Polo, Francisco
The initial cell of the descending arpeggio gives unity to the work that, despite its briefness, clearly shows the personality of Fleta Polo’s language and his deep knowledge of the different instruments he writes for.
Author: Taverna-Bech, Francesc
Cicle per a viola sola by Francesc Taverna-Bech has a strongly lyrical character; it has four movements which counterpose each other, but there is a lot of similarity between the second and fourth movements.
Author: Fleta Polo, Francisco
They are short but intense, expressive and idiomatic works which move through different airs, tempos and rhythms. These five duos are dedicated to his good friend and viola performer, Abili Fort.
Author: Fleta Polo, Francisco
They are short but intense, expressive and idiomatic works which move through different airs, tempos and rhythms. These five duos are dedicated to his good friend and viola performer, Abili Fort.
Author: Taverna-Bech, Francesc
Climes II is based on its predecessor Climes I —composed a year earlier for clarinet and piano— and similarly, has a single movement with a free structure. The intervallic element is evident throughout the work and only in the central part (Calmo) do we find that the melodic line is more static.
Author: Capdevila, Mercè
The work Corn d'or comprises quick, compressed sounds whose density means they can be listened to en masse. In the slow moments the mass deflates and softens, the sound expands and separates, breaking off in the form of phrases, or isolated sounds, with different properties, directions and levels.
Author: Soto, Pere
In this quartet, Pere Soto has let his imagination soar in creating an entertaining imaginary story about a hypothetical trip by Django to Havana. With the combination of the Cuban sound and the manouche fanfare, he has managed to merge the two essences and aesthetics in a highly original piece, offering a real challenge to an ambitious quartet.
Author: Garcia Gago, Josep
El Caliu (The Embers) is a little reflective dialogue between parents and children around the fireplace at the time of the early autumn cold. The four string instruments personify the members of the family, in the midst of conversation.
Author: Bertran, Moisès
Esguards silents is a piece in three movements, Uncertainty, Bewilderment and Desolation. Each one of them wants to express a emotional state as it could be felt by a child from any country in front of the disasters of a war.