Subcategories
Author: Armenter, Xavier
The title Fantasia reflects the free use of the different formal resources used. We can therefore recognise the Variation, the Fugue and the structural elements of the Sonata form that are essential in structuring a work of certain complexity.
Author: Fleta Polo, Francisco
Impromptu núm. 17 by Fleta Polo has no other pretension than to express the composer’s need to make music for the instrumental combination proposed and, above all, to please the musicians to whom the music is dedicated.
Author: Fleta Polo, Francisco
The work pays homage to Johannes Brahms, with each viola represented by one of the letters in the German composer’s surname, and is structured in a single movement.
Author: Guzmán, Josep Lluís
This work is a small poem with a simple and cantabile language, in which all instruments have the same level of prominence.
Author: Casablancas, Benet
This Piece for Viola is taken from the composer’s early period and its character, expansively and reflexively lyrical, becomes more attentive to the expressiveness of the viola and the wealth of this instrument’s polyphonic resources.
Author: Benejam, Lluís
The style of Quartet de corda número 1 (String Quartet No. 1) by Lluís Benejam is highly expressive and includes a rhythmic accent to enhance a free and lively melody.
Author: Homs, Joaquim
Towards the end of 1949, the composer focused on composing his third string quartet, for which he went back to two musical themes, quite different one from the other, that he sketched around 1931-1932.
Author: Puertas, David
These small divertimentos for violin and viola have a medium level of difficulty, and work on them allows to approach to the features of chamber music for duet.