Author: Soler, Josep
Here, from the first strains, the undulating tempo of the double bass and the piano is driven by the constant instruction of the rubato.
Author: Olaya, Meritxell
Throughout this book are treated variety of situations that arise from the act of learning to sing, from the student's attitude on classes, to ideas or suggestions on the protocol to follow on the day of a performance.
Author: Puertas, David
These small divertimentos for violin and viola have a medium level of difficulty, and work on them allows to approach to the features of chamber music for duet.
Author: Cercós, Josep
In this work highlights some of the most characteristic stylistic features of the author.
Author: Homs, Joaquim
Towards the end of 1949, the composer focused on composing his third string quartet, for which he went back to two musical themes, quite different one from the other, that he sketched around 1931-1932.
Author: Eroles, Carles M.
The music of this quintet is clearly thematic and brings together highly chromatic fragments with a profound lyricism.
Author: Benejam, Lluís
The style of Quartet de corda número 1 (String Quartet No. 1) by Lluís Benejam is highly expressive and includes a rhythmic accent to enhance a free and lively melody.
Author: Puértolas, Pere J.
In Pinewood Waltz drums is treated as a classical percussion section. This work is a waltz from the first bar to the last, which requires virtuosic technique and deep musical knowledge of the player.
Author: Ferrer, Enric
The unit of the 4 Songs stems from their common features: cadences and melodic turns that appear at different moments. Enric Ferrer has managed to maintain a perfect equilibrium and achieve the ideal symbiosis by adapting the music to the poem it represents.
Author: Fleta Polo, Francisco
The piece Trio núm. 3 is rather lengthy and is playful with the tonalities of the three main instruments from the saxophone family: with the piano ever-present, the first movement requires an alto and a tenor saxophone, the second a tenor and a baritone, and the third a duet of altos.
Author: Morral, Jordi
Cançó a l'amor perdut (Song of Love Lost) has emerged from the feelings of Pepita Moliner, due to the untimely death of her husband. Among the poems of Josep Maria Brull, the composer chose El Lletissó (The Thistle) because it reflects the simplest expression.
Author: Garcia Gago, Josep
Garcia Gago developes a simple melodic theme in Arioso, based on the Prelude No. 5 in D by Johann Sebastian Bach, while the work Clar de lluna (Moonlight) by Beethoven recives an impressionist brushwork of Josep Garcia Gago.