Author: Rodríguez Picó, Jesús
These duets allow students to make a start on this repertoire, providing all the features of the style but with an intermediate level technique. The duets have been arranged by organising them from a lower to a higher degree of difficulty, and some more difficult extracts have been adapted.
Author: Soler, Josep
Harmonices Mundi deals with the fugue in all its possibilities, often on its own, but also with preludes, associated to dances or within a partita. In this volume, the first five fugues are presented directly (in three or four voices) and it is only in the last piece that the fugue is presented with a prelude.
Author: Serra, Joaquim
Three of the songs in the collection are traditional (from Aragon, Extremadura and Jaén) with simple, amusing arrangements that are bursting with freshness. Of the songs for mixed voices, we should highlight Capvespre and Idil.li de la fruita galana, impregnated by the climate that these texts portray, especially the first - a very inspired piece that...
Author: Serra, Joaquim
The first of the Tres peces is called Matinal giving a popular air to the piano arpeggios. The second Cançó de Muntanya has clarinet pastoral improvisations. Finally, the third piece called Scherzo is a playful page structured in fugue style
Author: Rodríguez Picó, Jesús
The work Quatre Poemes (Four Poems) for clarinet and piano arose from four poems of Joan Brossa: these are inspired by the frivolous spirit and the elements of reflection and surrealism, and are based on a hidden rhythmic beat over which the two instruments dialogue.
Author: Rodríguez Picó, Jesús
The Nocturne for violin is divided into two contrasting parts, the first is slow and the second has faster and livelier rhythm, with some large intervals.
Author: Ortega, Miquel
The Sonatina for piano is not an excessively difficult work from a technical point of view and, except for the third movement, as with many Sonatinas from the majority of composers, it is all imbued with a feeling of happiness appropriate for its nature as a Scherzo.
Author: Oltra, Manuel
The general inspiration of the piece stems from traditional music, although no traditional theme is referred to at any point during the piece. It could be described as a stroll (a suite) through various environments and atmospheres which abound with good taste that commences with a delicate, albeit rhythmic prelude introducing the two main elements on...
Author: Fleta Polo, Francisco
Capricho concertante no. 3 is a two-movement piece for flute and guitar. In this work, the order of the factors does not change the product, since both instruments are given the same concertante treatment, without giving either instrument prevalence over the other.
Author: Fàbregas, Jordi
Quatre tocs amb canya (Four touches with reed) by Jordi Fàbregas has four separate parts: Cor de foc (Heart of Fire), Ball a quatre (Dance to Four), Trànsit (Transit) and Ball gemmat (Lush Dance).
Author: Colomer, Consuelo
It is pure, simple music, transmitting the composer’s message full of nuances and colours, like those of a bouquet of flowers or those inspired by a tender smile.
Author: Colomer, Consuelo
The unembellished construct of these compositions by Consuelo Colomer makes them optimally suited for new cellists and pianists while allowing seasoned performers to enjoy the nuanced depths of each musical passage.