Subcategories
Author: Bozzo, David
The work Quartet de corda núm. 1 “A la Muerte de un ángel” was commissioned in July 2010 by the Anglo-Spanish string quartet The Billroth String Quartet. Its members, at the request of the composer, reviewed the work with the addition of their own interpretative vision of the work written for them.
Author: Grèbol, Armand
The sense of humor of the author and his mordant sarcasm are reflected in the music of each of the five brass instruments, with varied counterpoints and rhythms.
Author: Fleta Polo, Francisco
A calm Allegro moderato to start with, a three-variation piece as a dynamic and rhythmical movement, and an Andante calmo before the vertically structured Tempo di valse which forms the last movement; these are the movements of this String Quintet.
Author: Fleta Polo, Francisco
A calm Allegro moderato to start with, a three-variation piece as a dynamic and rhythmical movement, and an Andante calmo before the vertically structured Tempo di valse which forms the last movement; these are the movements of this String Quintet.
Author: Ferrer, Enric
Llacada, or Silt, is a piece for flute and guitar by Enric Ferrer; Silt is also the residue left behind by floodwaters as they drain out of flooded fields. The author dedicates this work to David Sanz and Jordi Gendra.
Author: Taverna-Bech, Francesc
Climes II is based on its predecessor Climes I —composed a year earlier for clarinet and piano— and similarly, has a single movement with a free structure. The intervallic element is evident throughout the work and only in the central part (Calmo) do we find that the melodic line is more static.
Author: Fleta Polo, Francisco
Nature is very present in these duets: you can feel the serenity and the nobility of the cello.
Author: Valls Duran, Pere
To his long collaboration and friendship with the master Pau Casals, Pere Valls dedicated with emotion this beautiful and melancholy work Llegenda (Legend) in a single movement, Andante, for cello and piano in a minor key.
Author: Civilotti, Alejandro
L’obra està estructurada en quatre temps que representen un viatge a través de quatre textures que exploren les possibilitats, tan expressives com tècniques, de l’instrument solista.
Author: Guinjoan, Joan
The Concerto for piano and chamber ensemble was composed in 1963 and was awarded the Schola Cantorum of Paris’ Composition Prize. It is a rather ‘raw’ piece. The piano part is most impressive but the thing that connects this concerto to the rest of the pieces of Guinjoan, is its rhythm.