Subcategories
Author: Serra, Joaquim
Trio en mi by Joaquim Serra has a very classical structure as a whole and in the form of each movement: at the first place Sonata, Song at the second place, and Rondó at the third.
Author: Puértolas, Pere J.
In Pinewood Waltz drums is treated as a classical percussion section. This work is a waltz from the first bar to the last, which requires virtuosic technique and deep musical knowledge of the player.
Author: Fleta Polo, Francisco
This isn’t a light or easy piece but a complex score which, while easy to listen to, transmits that feeling of intellectual pleasure you get with pieces which have something to say.
Author: Soler, Josep
Harmonices Mundi deals with the fugue in all its possibilities, often on its own, but also with preludes, associated to dances or within a partita. In this volume, the first five fugues are presented directly (in three or four voices) and it is only in the last piece that the fugue is presented with a prelude.
Author: Borgunyó, Agustí
Produced in the form of a suite, it includes four dances or movements from various regions of the Iberian Peninsula: 1. Aragon (jota), 2. Andalucia (saeta), 3. Galicia (danza), 4. Castille (pasodoble).
Author: Brotons, Salvador
This work was composed in 1978.
Author: Colomer, Consuelo
The unembellished construct of these compositions by Consuelo Colomer makes them optimally suited for new cellists and pianists while allowing seasoned performers to enjoy the nuanced depths of each musical passage.
Author: Brotons, Salvador
One of the author's first compositions dated 1980.
Author: Nuix, Jep
The work begins with a single idea, a unique effect that is exploited to the full.
Author: Nuix, Jep
This is a virtuoso piece that explores the potential of the double bass's sound; a kind of study with room for interpretation.
Author: Rodríguez Picó, Jesús
The work Quatre Poemes (Four Poems) for clarinet and piano arose from four poems of Joan Brossa: these are inspired by the frivolous spirit and the elements of reflection and surrealism, and are based on a hidden rhythmic beat over which the two instruments dialogue.