Subcategories
Author: Rodríguez Picó, Jesús
This melody, taken from the repertoire of the chansonniers, is also representative of a musical repertoire that interested Poulenc, one which he made use of in the third movement of his Clarinet Sonata.
Author: Fleta Polo, Francisco
Capricho concertante no. 3 is a two-movement piece for flute and guitar. In this work, the order of the factors does not change the product, since both instruments are given the same concertante treatment, without giving either instrument prevalence over the other.
Author: Rodríguez Picó, Jesús
In the Quartet per a clarinets is often used extreme registers and dynamic contrasts, and those different timbres associated with these records create an effect of constant tension.
Author: Lamote de Grignon, Ricard
This Scherzino for viola and piano by Ricard Lamote de Grignon shows the possibilities of the instrument and performer, both in expression as in technical skill.
Author: Rodríguez Picó, Jesús
The Nocturne for violin is divided into two contrasting parts, the first is slow and the second has faster and livelier rhythm, with some large intervals.
Author: Cercós, Josep
In Els Bells Camins, we find ourselves before a serene yet passionate love song that Cercós, demonstrating his great compositional ability, translates into music that is difficult to define.
Author: Taverna-Bech, Francesc
Climes I has only one movement and is conceived in complete freedom, both in its harmonic aspects and its formal aspects. It is a lyric rhapsody where some chords and certain sequences act as structural elements in the composition, with the central part being poco scherzando to balance the score.
Author: Cervelló, Jordi
This composition is divided into two movements, with a melody as a common thread, initially formed by eight notes in its varied presentation assumes the role of leitmotif.
Author: Cervelló, Jordi
This composition is divided into two movements, with a melody as a common thread, initially formed by eight notes in its varied presentation assumes the role of leitmotif.
Author: Toldrà, Eduard
We discover in this simple sardana da camera the precocious interest which Toldrà felt for a genre in which he was to become an authentic maestro, and the hint of some of the stylistic features which defined the Catalan composer’s personality.
Author: Bertrand, Álvaro
It was composed as a tribute to the Saeta song, from cante Jondo, of Flamenco Spanish religious tradition in Easter week.